![]() ![]() He was just getting on the train of rock and roll so they talked about it back then of him 'going electric'? I'd never been non-electric! I didn't know folk music. And I started to appreciate that and was moving somewhat in that direction, and then we hooked up with Bob Dylan. "And I quite liked Curtis Mayfield's playing, just because it was so damn cool. And the rhythmic playing – playing different rhythms against the song and, not blazing fills, cool little fills on the lower strings, and I thought, 'Hmm, that's interesting'. I would see the guitar player for Little Junior Parker's band, for instance, and it was a style of playing that, the motion of it and the groove of it, played just as big a part as the solos did. "Then, after we left Ronnie Hawkins, we went into a bit of a different musical world at that point, playing a lot in the South and – in the music that we heard and the people that we were around – I started picking up some other aspects of guitar playing. ![]() And after a period of time I started to understand some of the subtleties and cooler ways to approach things than just putting your fist through the ceiling constantly. Because I was 16 and so hot-to-trot, I came out with the pedal-to-the-metal all the time. There were guitar solos in almost every song. "I started playing professionally on the road for a living when I was 16 years old with Ronnie Hawkins and the Hawks," he says, "and when I was playing with Ronnie, I was blazing. As Robertson explains, that's because he'd already grown out of his 'blazing' phase. It's an unusual piece of pyrotechnics in a sense, because there aren't that many blazing guitar solos in the Band's recorded work.
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